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91位
¥4,472 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞No study in the history of seventeenth century thought is completed without some mention of Richard Cumberland, one of the many writers who aimed to refute Hobbes. Cumberland remains on of the few important writers of his century on whom, until now, nothing of substance has been written In the past Cumberland has been somewhat unfairly overshadowed by his fellow anti-Hobbists. His one important work, De Legibus Naturae, first appeared in Latin in 1672 and has never been satisfactorily translated into English. That he published so little in such a prolific age was unusual, but his influence through his work continued to be felt well into the nineteenth century. It is now clear that he went further than both Grotius and Pufendorf in devising a system which prefigured classical utilitarianism, propounding a cosmology based upon the reconciliation of charity and self-interest. In this study, Cumberland is placed for the first time, in his intellectual and historical setting. The author describes Cumberland's life, his work as Bishop of Peterborough, his book and above all his position in the development of natural law theory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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92位
¥5,013 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞This book examines the question of aesthetic experience in the novels of Joris-Karl Huysmans, Marcel Proust, Tom McCarthy and Rachel Cusk in order to propose a reconsideration of aesthetic experience informed by literature and philosophy in equal measure. The introduction suggests an alternative four moments (of aesthetic experience) to Kant’s four moments of aesthetic judgement, derived in part from my four literary authors respectively: curation, quietness, violence and disconnection. Taken collectively, the four moments show the danger of becoming too invested or interested in aesthetic experience, as well as patience and openness toward the creative act of writing. While these four moments are not meant as determinations, taken together, they offer a picture of aesthetic experience as involuntary, subject to chance and resistant to calculation on the part of the aesthetic subject. Besides contributing to the scholarship on each of the four novelists, this book advances a theory of the aesthetic that shifts away from the framework of judging objects to focus instead on experience and how it is articulated both within and beyond literature. It is here that the theory of aesthetic experience benefits from literature’s singularity: no one text or passage can serve as an example that would adequately circumscribe the field of aesthetic experience, just as no one philosophical example could, and yet the reflective nature of the literary text demands a rigorous look at aesthetic experience without the restrictions of a totalising philosophical system.＜br /＞ The two ‘negative’ moments ? represented by Huysmans’s ? rebours and McCarthy’s Remainder ? besides ending poorly for the protagonists, wind up with a foreclosure of aesthetic experience. For Huysmans’s Des Esseintes, who attempts to sustain aesthetic experience at will via curation, the fantasy falls apart, leaving him ill and necessitating his dreaded return to society. For McCarthy’s unnamed narrator who is engaged throughout the novel with various projects of re-enactments, the story ends violently, with bloodshed and a plane hijacking. Theoretically, these novels provide a cautionary tale about the impulse to seek out and even domesticate the aesthetic object.＜br /＞ On the contrary, the two ‘positive’ moments ? represented by Proust’s Recherche and Cusk’s Outline trilogy ? each involve narrators and characters who are invested in the creative act of writing. Two particular critically underrepresented passages from Proust can help articulate the ‘quiet’ moment of aesthetic experience: without relying on works of art, they are theoretically compelling in their refusal to theorise themselves, unlike the more popular passages from the novel. Cusk’s novels present the moment of disconnection ? that is, the sense of an experience being dislodged from any particular narrative or plot. And yet, each of the characters in question are creative writers, meaning that this everyday feeling of alienation tends to factor into a productive, artistic impulse.＜br /＞ In conclusion, these four moments are tied together as they pertain to the nature (and boundaries) of aesthetic experience in general. Just as Kant’s four moments of aesthetic judgement seem to be grouped in pairs ? disinterest and purposiveness without purpose on one hand, and universality and necessity on the other hand ? these four moments can be grouped and set apart to help reconsider what we mean when we talk about aesthetic experience.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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93位
¥4,558 円
評価: 0
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楽天ブックス
PROPHETS & OUR TIMES Gerald Culleton TAN BOOKS & PUBL2009 Paperback English ISBN：9780895550507 洋書 Fiction & Literature（小説＆文芸） Literary Collections
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94位
¥17,016 円
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楽天Kobo電子書籍ストア
＜p＞This book adopts a transatlantic approach to consider literature and cultural products produced by authors confronted with the experience of migration, working from or looking in the direction of the Global North. It offers a comparative framework which underlines the differences and similarities between the Francophone and Latino American cultural spheres. The volume explores different aspects ?gender identity, sexuality, violence ? encountered in the intersectionality between masculinity and migration around the world. It also contextualizes this global phenomenon across two hemispheres, looking at colonial history, the role of migration, the predominant religion, racial identities, and levels of economic development. Chapters examine novels, short stories, TV, and other types of cultural production. Perspectives avoid as far as possible hierarchical, vertical and binomial configurations between self and other, North and South, male and female.＜/p＞ ＜p＞＜strong＞ENDORSEMENTS＜/strong＞＜/p＞ ＜p＞A timely volume that invites us to explore how migration in the United States and Europe is changing our approach to masculinity studies. Its focus on migration and undesired migrants from the Global South, hegemonic masculinities, fashion, sports, hypersexualized virility, and masculinist performances offers new gender discussions in the context of Hispanic, Latinx, and Francophone literature and culture.＜/p＞ ＜p＞＜em＞Oswaldo Estrada, Professor of Spanish and Latin American Studies, University of North Carolina at Chapel Hill, US＜/em＞＜/p＞ ＜p＞This is an urgently needed volume on one of the most central topics of our time: the book provides a transnational perspective on cultural representations of masculinity and migration. An essential read for scholars of Gender Studies, Migration and Comparative Literature.＜/p＞ ＜p＞＜em＞Gesine M?ller, Professor of Romance Philology, University of Cologne, Germany＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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95位
¥9,086 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞Der Band dokumentiert die Ergebnisse einer Tagung, auf der Fachdidaktiker:innen, Fachwissenschaftler:innen, Lehrer:innen und Vertreter:innen der Bildungsverwaltung diskutierten, wie europasensibler Literaturunterricht aussehen k?nnte. Die Beitr?ge kn?pfen an den Beschluss der Kultusministerkonferenz ?Europabildung in der Schule“ an, differenzieren und spezifizieren diesen f?r den Literaturunterricht. In unterschiedlichen Perspektiven werden Potentiale einer Europabildung mit ?sthetischen Medien, die curriculare Verankerung derselben sowie M?glichkeiten der Etablierung einer langfristigen Europabildung im Unterrichtsfach Deutsch er?rtert.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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96位
¥3,574 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞The second half of the nineteenth century in Russian philosophy sees it more or less definitive triumph of Westernizing currents over the Slavophiles. There is no doubt that both Nihilism and Populism as successive schools of Russian philosophy, are the authentic progeny of the senior Westernizersーthough in the development of their philosophical doctrine they owe much less to German Romanticism than to British utilitarianism, French positivism, and the socialism of left-wing Hegelians. Toward the end of the century these philosopher come increasingly under the influence of the scientific socialism of Karl Marx.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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97位
¥4,435 円
評価: 0
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楽天ブックス
OLD CURRENT Brad Leithauser KNOPF2025 Hardcover English ISBN：9780593802809 洋書 Fiction & Literature（小説＆文芸） Poetry
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98位
¥4,951 円
評価: 0
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Roundabout Books
タイトル: Bloodcurdling Tales of Horror and the Macabre: The Best of H. P. Lovecraft著者: H P Lovecraft出版社: Del Rey出版日: 1987年05月12日古本非常に良い。端が少し摩耗しているが、汚れのないきれいな本。製本状態は良好。ダスト ジャケットが付属している場合は、それも含まれます。リサイクル可能なアメリカ製の封筒で発送します。すべての注文に 100% 返金保証付き。"H.P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."--Stephen King"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown."--H.P. Lovecraft This is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft's most horrifying visions, including: The Call of Cthulu: The first story in the infamous Cthulhu mythos--a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind.The Dunwich Horror: An evil man's desire to perform an unspeakable ritual leads him in search of the fabled text of The Necronomicon.The Colour Out of Space: A horror from the skies--far worse than any nuclear fallout--transforms a man into a monster.The Shadow Over Innsmouth: Rising from the depths of the sea, an unspeakable horror engulfs a quiet New England town. Plus twelve more terrifying tales!
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99位
¥4,716 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞＜em＞Digital Memory Agents in Canada＜/em＞ explores memory performances and representations with different cultural and spatial relationships to Canada. It moves from discourses on place to focus on the digital or virtual space and on how certain cultures, subjectivities, or positionalities use digital media to document or represent their recollections. Embracing interdisciplinary approaches, the contributors investigate how digital media, like memories, can transcend space and time to impact individuals and communities. Chapters examine memorialization, documentation, and online activism; aesthetic productions and counter-productions of identity in literature, film, and beyond; queer and feminist archiving and consciousness-raising; and Indigenous, M?tis, and Black narratives of resistance. These are narratives and research models that disrupt Canadian, hegemonic, colonial, white-centric, and patriarchal beliefs. ＜em＞Digital Memory Agents in Canada＜/em＞ will be of interest to scholars and students specializing in memory studies, digital humanities, film and media studies, and cultural studies.＜/p＞ ＜p＞Contributors: Jim Clifford, Matthew Cormier, Erika Dyck, Craig Harkema, Caroline Hodes, Russell J. A. Kilbourn, Jordan B. Kinder, Anna Kozak, Braidon Schaufert, Amanda Spallacci, Matthew T?treault, Uchechukwu Peter Umezurike, Stephen Webb＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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100位
¥9,265 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞From Homer’s ＜em＞Odyssey＜/em＞ itself, the return of the veteran to his or her home has been a central trope of the literary canon. Huge bureaucracies and a panoply of global organisations are deeply concerned with facilitating a painless return to stable homes. This book presents ‘homecoming’ as an analytical lens to better understand veterans' return and reintegration after conflict. Home is held to be multidimensional, a concept encapsulating the physical and the social, particularly disrupted by experiences of violence. Homecoming is, therefore, not a mere moment but a process that can unfold over years and decades as old and new bonds of familiarity are forged. Struggles over the home and homecoming are, moreover, endlessly political, bound up in questions of identity and the nation. Looking across times, places, and disciplines, the collection centres both historical and representational approaches to veterancy.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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