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1位
¥3,405 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, creating an atmosphere where simultaneous heteropatriarchy and "real" masculinity anxieties, archetypes of the "alpha-male preacher", the "effeminate choir director" and homo-antagonism, are all in play. The "flamboyant" male vocalists formed in the black Pentecostal music ministry tradition, through their vocal styles, gestures, and attire in church services, display a spectrum of gender performances - from "hyper-masculine" to feminine masculine - to their fellow worshippers, subtly protesting and critiquing the otherwise heteronormative theology in which the service is entrenched. And while the performativity of these men is characterized by cynics as "flaming," a similar musicalized "fire" - that of the Holy Spirit - moves through the bodies of Pentecostal worshippers, endowing them religio-culturally, physically, and spiritually like "fire shut up in their bones". Using the lenses of ethnomusicology, musicology, anthropology, men's studies, queer studies, and theology, ＜em＞Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance＜/em＞ observes how male vocalists traverse their tightly-knit social networks and negotiate their identities through and beyond the worship experience. Author Alisha Jones ultimately addresses the ways in which gospel music and performance can afford African American men not only greater visibility, but also an affirmation of their fitness to minister through speech and song.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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2位
¥7,128 円
評価: 0
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楽天ブックス
LAURA W. ALLEN YALE UNIVERSITY PRESS2023 English アメリカ合衆国 ISBN：9780300273182 洋書 Art & Entertainment（芸術＆エンターテインメント） Art
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3位
¥1,629 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞How happily married are the happily married?＜/p＞ ＜p＞Home, I'm Darling is a dark comedy about sex, cake and the quest to be the perfect 1950s housewife.＜/p＞ ＜p＞Judy has Johnny's slippers waiting for him when he arrives home from work, the kitchen's clean, the rooms are aired...yet this is not the 1950s, but a 21st-century 'arrangement' agreed between the two of them. With clothes, furniture and a (faulty) fridge from the 1950s, Judy and Johnny try to 'live the dream', with specific roles and a perfectly ordered life.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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4位
¥3,365 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of British film theorists and independent film-makers, she came to prominence with her classic essay on the pleasures ? and displeasures ? of＜br /＞ narrative cinema, 'Visual Pleasure and Narrative Cinema'. She went on to make her own avant-garde films, co-directed with Peter Wollen, and to write further, greatly influential works ? including this one.＜/p＞ ＜p＞Fetishism and Curiosity contains writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman. Essays explore the concept of fetishism as developed by Marx and Freud, and how it relates to the ways in which artistic texts work.＜/p＞ ＜p＞Mulvey returns to some of the knottier issues in contemporary cultural theory, especially the links between looking, fantasy and theorisation on the one hand, and the processes of historical change on the other. What are the modes of address that characterise 'societies of the spectacle'? How might 'curiosity' be directed towards deciphering the politics of popular culture? These are just some of the questions raised in this brilliant and subtle collection.＜/p＞ ＜p＞Published as part of the BFI Silver series, this new edition of Mulvey's classic work of feminist theory features a new, specially commissioned introduction and stills from the films discussed.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5位
¥3,774 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞What does it mean to teach Shakespeare with purpose? It means freeing teachers from the notion that teaching Shakespeare means teaching everything, or teaching “Western Civilisation” and universal themes. Instead, this invigorating new book equips teachers to enable student-centred discovery of these complex texts.＜/p＞ ＜p＞Because Shakespeare's plays are excellent vehicles for many topics -history, socio-cultural norms and mores, vocabulary, rhetoric, literary tropes and terminology, performance history, performance strategies - it is tempting to teach his plays as though they are good for teaching everything. This lens-free approach, however, often centres the classroom on the teacher as the expert and renders Shakespeare's plays as fixed, determined, and dead. ＜em＞Teaching Shakespeare with Purpose＜/em＞ shows teachers how to approach Shakespeare's works as vehicles for collaborative exploration, to develop intentional frames for discovery, and to release the texts from over-determined interpretations. In other words, this book presents how to teach Shakespeare's plays as living, breathing, and evolving texts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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6位
¥2,665 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞＜em＞Death 24x a Second＜/em＞ is a fascinating exploration of the role new media technologies play in our experience of film. Addressing some of the key questions of film theory, spectatorship, and narrative, Laura Mulvey here argues that such technologies, including home DVD players, have fundamentally altered our relationship to the movies.＜/p＞ ＜p＞According to Mulvey, new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures. The individual frame, the projected film’s best-kept secret, can now be revealed by anyone who hits pause. Easy access to repetition, slow motion, and the freeze-frame, Mulvey argues, may shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in film.＜/p＞ ＜p＞By exploring how technology can give new life to old cinema, ＜em＞Death 24x a Second＜/em＞ offers an original reevaluation of film’s history and its historical usefulness.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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7位
¥2,937 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images.＜/p＞ ＜p＞Its title, ＜em＞Afterimages＜/em＞, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment.＜/p＞ ＜p＞Structured in three main parts, ＜em＞Afterimages＜/em＞ also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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8位
¥3,200 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞A p?rola na hist?ria, na mitologia, nas religi?es, na moda, no luxo dos poderosos, na arte, na beleza feminina, no cinema, na publicidade. Com muitas imagens, o livro apresenta p?rolas naturais e cultivadas, brancas e negras, redondas e abauladas, pequenas e grandes, lustrosas e matizadas. P?e seu foco nas p?rolas naturais e cultivadas, sem esquecer as falsas, na diversidade de formas, tamanhos e cores determinados pelos locais de origem.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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9位
¥1,735 円
評価: 0
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楽天Kobo電子書籍ストア
＜p＞Created from a portion of Crawford County in 1837, Franklin County is divided by the Arkansas River into two sections, each with its own county seat: Ozark in the North and Charleston in the South. Northern Franklin County is remote, mysterious, and beautiful, while the southern area enjoys graceful and vastly productive prairie lands. The combination of fertile soil and mild climate in the Ozark Mountains produces fruit, vineyards, precious stones, granite, and forests. Evocative images such as the young girls posing in the Altus schoolyard paint a poignant and revealing picture of everyday life in Franklin County. Coal mining played a large part in the lives of residents, and photographs of soot-covered miners display the hardships of this difficult work. With over two hundred photographs gathered from local collections, this book illustrates the history and culture of Franklin County in vivid detail, with captions that are both entertaining and informative.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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10位
¥6,336 円
評価: 0
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楽天ブックス
BRACKET 3 ENGLISH/E Bracket Lola Sheppard Maya Przybylski ACTAR D2016 Paperback English English ISBN：9780989331760 洋書 Art & Entertainment（芸術＆エンターテインメント） Architecture
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